audiovisual.lenguage

 Exercise 7: dynamic compositions in photojournalism Paula Carrillo, audiovisual lenguage. paula.carrilloc@edu.uah.es One of the vital issues in taking control of your images, of what they convey, is composition. In short, how you organise the elements that appear in your frame. A moving photograph is a photograph where we can see dynamism. Through the dynamic composition you are looking for a certain impact and strength in the image, so that the photograph is not something totally static, calm. On the contrary, with a static composition we are looking for balance, a certain order, that the elements transmit more tranquillity and calm. Dynamic and static have to do with two expressive forces in photography: harmony and contrast.  Harmony is stable and balanced, while contrast is dynamic and unstable. On the other hand, journalistic photography aims to represent and communicate through photographs certain events, characters, themes or events. In this exercise, we are going to s...

Exercise 6: Colorimetría película. Paula Carrillo, audiovisual lenguage. paula.carrilloc@edu.uah.es Gilda (1946) is a film directed by Charles Vidor and starring Rita Hayworth and Glenn Ford. Johnny Farrell, an American recently arrived in Buenos Aires, Argentina. He earns money by cheating at dice. He is rescued from an attempted robbery by Ballin Mundson. Mundson tells him about an illegal high-class casino, but warns him not to cheat there. Farrell ignores his warning and wins at the card game. When he is taken to see the casino owner, who turns out to be Mundson. Farrell convinces Mundson to hire him and soon becomes Mundson's trusted casino manager. Mundson announces that he has a new wife, Gilda, whom he has married after meeting her after one day. Johnny and Gilda instantly recognise each other, although both deny it. Mundson assigns Farrell to keep an eye on Gilda. Johnny and Gilda hate each other and she flirts with men at all hours in an effort to infuriate Johnny. Mundso...